Showing posts with label General. Show all posts
Showing posts with label General. Show all posts

Tuesday, January 14, 2014

Obeisance to the Sun-God : makara sankrAnti


Pongal or Thai (தை) Pongal, the harvest festival, is also called makara sankrAnti, since it is celebrated on the first day of the tamizh month Thai(தை) when the Sun leaves the zodiac sign of Sagittarius and enters the Makara rAshi (Capricornus). (sankrAnti means transmigration of the Sun from one rAshi to the next). This signals the end of winter and the onset of spring throughout the northern hemisphere. For the next six months, the days are longer and warmer.

According to the calendar based on the solar system the year is divided into two halves following the apparent movement of the Sun northwards and Southwards. The former is termed uttarAyaNa and the latter is dakshiNAyaNa. 

This period of Thai (தை) is referred to as uttarAyaNa puNyakAla and is considered auspicious.

The four day celebration of Pongal marks a period of plenty, peace and happiness. There is a Tamizh saying "தை பிறந்தால் வழி பிறக்கும்", which means that, with the dawn of the month of Thai, there will be peace, happiness, prosperity, brightness and harmony in the life of everyone. (Another interpretation of this saying can be given as follows: after crops are harvested in the month of தை, the "varappu" (வரப்பு) or vazhi(வழி) for the farmers becomes visible.) It is held to honor the Sun, for a bountiful harvest. Families gather to rejoice and share their joy and their harvests with others.

Since this festival is essentially an obeisance to the Sun-God, I thought it would be apt to give in this post, the meaning to the beautiful kriti, sUryamUrtE (rAga saurAshtra), composed by Sri.Muthuswami Dikshitar, which is in praise of the Sun-God.
        



(पल्लवि)
सूर्यमूर्ते नमोऽस्तु ते
सुन्दर छायाधिपते
Hey Surya, Salutations to Thee ! , the one who is espoused to the beautiful chAyAdEvi.
(The choice of the word  नमोऽस्तु ते) in the first line looks very apt, since we always refer to sUryA as "namaskAra priyah" )
(अनुपल्लवि)
कार्य कारणात्मक
जगत्प्रकाश
सिंह
राश्यधिपते
One who is the cause(कारण) and effect (कार्य) of all things in Nature,  the One who enlightens the world(जगत्प्रकाश) and the adhipati of simha rAshi.

(
मध्यम काल साहित्यम्)  
आर्य विनुत तेजःस्फूर्ते
आरोग्यादि फलद कीर्ते
One who is the personification of illumination, effulgence(तेजःस्फूर्ते) and worshipped by noble persons (आर्य विनुत).

sUrya namaskAr is one of the most effective methods to maintain good health and is a popular yogic exercise too (आरोग्यादि फलद कीर्ते)

(चरणम्)
सारस मित्र मित्र भानो
सहस्र किरण कर्ण सूनो

क्रूर पाप हर कृशानो
गुरुगुह मोदित
स्वभानो
सूरि जनेडित सुदिनमणे

सोमादि ग्रह शिखामणे

धीरार्चित कर्म साक्षिणे
दिव्यतर सप्ताश्व रथिने


To You, the friend of the lotus(सारस मित्र), Hey MitrA (मित्र) !, Hey bhAnu (भानो)!
The One who is the source of a thousand brilliant rays (सहस्र किरण) and who is the father of karNA(कर्ण सूनो)
One who is the Fire (कृशानो) which can destroy even henious crimes (क्रूर पाप हर )
One who is self-effulgent (like the Pure Consciousness, citswarUpa brahman which is self-effulgent)
One who is worshipped by the Erudite (सूरि जनेडित) and One who is virtuous (सु) and the jewel of the day(दिनमणे)
One who controls the Moon and all the other planets (सोमादि ग्रह शिखामणे)
One who is worshipped by the Wise(धीरार्चित) and who is the witness to all Karma(कर्म साक्षिणे)
One who rides on a chariot driven by seven divine horses (दिव्यतर सप्ताश्व रथिने)

(मध्यम काल साहित्यम्)
सौराष्ट्रार्ण मन्त्रात्मने
सौवर्ण स्वरूपात्मने

भारतीश हरि हरात्मने
भुक्ति मुक्ति वितरणात्मने
Refers to the sUrya ashta akshara mantra and also the rAga mudra (सौराष्ट्रार्ण मन्त्रात्मने)
One who shines like gold, both in terms of mystical and intellectual brilliance (सौवर्ण स्वरूपात्मने)
One who is visualized as Brahma, Vishnu and Siva (भारतीश हरि हरात्मने)
One who instils devotion and imparts eternal bliss (भुक्ति मुक्ति वितरणात्मने)


Musical aspects of this kriti:

As per the sangIta sAmpradAya pradarshini, the rAga saurAshtrA is given under the 15th mElA mALavagowLa and not as a janya of chAyAvati (asampUrNa mELa equivalent of sUryakAntam, which is the way it is more commonly sung).

It is set to chatusra jAti dhruva tAlA, which has a 14-beat cycle and is one of the sULAdi sapta tALAs. 



Wednesday, January 16, 2013

Oscar Nomination for Bombay Jayashri


85th Annual Academy Awards : Carnatic Vocalist and playback singer Bombay Jayashri has been nominated in the "Best Original Song Category" for the lyrics of the lullaby that she has penned in the movie "Life of Pi". The song is in Tamizh and has been beautifully sung by Jayashri.

We are indeed proud that one of our colleagues has been nominated for such a prestigious award.

Lets keep our fingers crossed and wait for the results to be announced on February 25th, 2013 !

Sunday, January 1, 2012

Happy 2012 !!

Yet another year has rolled by and we have just ushered in a new one - always with hope and anticipation.

I would like to wish everyone warmly for a promising and a fulfilling year replete with happiness,peace,great aspirations and above all good health.

Let us cherish every beautiful moment of our lives and be happy and positive.

"Happy New Year" and God bless!!

Sunday, April 3, 2011

TEAM INDIA - THE WORLD CHAMPIONS !!!

Hats off to the Indian Cricket Team.. They have done us all proud.
What a match it was !
Equally thrilling were the quarter-finals against the Aussies and the Semis against Pakistan.

I also liked Dhoni's short speech during the presentation ceremony and it was great to see that everyone in the team wanted to unanimously win this for the legend, Sachin.

Emotional Yuvi, Dhoni, Sachin, Harbhajan, on winning - these were unforgettable moments last night...

The score of 274 to chase looked scary, particularly after the early dismissal of Sehwag and Sachin. But, what an anchoring role Gambhir played ! And of course, our Captain took the real pressure on to his shoulders and steered the way for history to repeat itself after 28 long years !!!

It was a great Finals and a true test of handling the huge pressure out there.

A great moment for the entire nation and a big THANK YOU to our Team India from all of us - your ardent fans and supporters :-)).

Saturday, January 1, 2011

HAPPY NEW YEAR - 2011

It seems like I wished everyone just a few days back at the dawn of 2010 and I just can't believe that one more year has gone by !

We are now into the next year - with a lot of dreams and goals for the forthcoming years.

Wishing all my friends a very bright and prosperous New Year :-)

A quick recap of my concerts during December Music Season 2010:
The first 10 days of December were dampened by the never-ending rains in Chennai.

My concert that had been scheduled on the 5th got cancelled due to the rains. The first concert was on the 7th at Meenakshi College - jugalbandi with Smt.Lakshmi Sriram. This is the first time I am doing a jugalbandhi at this venue. The previous years there have been with Padmasri Haridwaramangalam A.K.Palanivel accompanying me on the Tavil. Rains didn't deter the Rasikas from attending the concerts and our Jugalbandhi concert had a very good attendance inspite of the rains lashing 24*7.

After this were concerts at venues like Sastri hall, Bharatiya Vidya Bhavan, Mylapore Fine Arts,Vani Mahal, Music Academy, to name a few.

For the first time I gave a lecture Demonstration at the Music Academy during the Music Season and it was a great experience.

The Sangeetha Sandhippu - informal chat with Rasikas was great fun.

I sang two complex ragam -tanam -pallavis - one at the Mylapore Fine Arts and the other at the Music Academy.

I must thank all rasikas who attended all my concerts and gave me their valuable feedback. Personally, it was a very enriching December for me.

I didn't realize when December began and when it ended :-) - time has just flown by !

I eagerly look forward to a great musical 2011 :-)

Tuesday, August 17, 2010

Music Competitions- 2010

Every year, from June onwards, school children get busy with various competitions - group music, solo music, essay writing, drawing and painting etc etc - the sky is the limit these days..

Vishruthi took part in music competitions conducted by Rasika Ranjana Sabha,Trichy in June. There were several categories, she won prizes in four of them - Varnam singing, Oothukadu Venkatakavi Kritis, Papanasam Sivan Kritis and Subramanya Bharatiyar songs.
















Conducting competitions in many categories gives children an excellent opportunity to learn a lot of Kritis of various composers. Also, singing on stage in front of an audience helps these little ones gain a lot of confidence and overcome stage fear.

She couldn't attend the prize distribution function at Trichy last week as she had to represent her school (Bala Vidya Mandir, Adyar) in another group singing event here in Chennai, on the same day.

Sri Matha Samarpanam conducted a lot of competitions for children in various age groups.

Here is a photo from that prize distribution function. Vishruthi receives the prize from none other than Smt.C.Lalitha (one of the Bombay Sisters). Embar Kannan was the chief guest that day.Smt.C.Lalitha and Sri.ARS were the other dignitaries on stage.
















Smt.Nalini Ramaprasad of Sri Matha Samarpanam used to run an organization called Children Academy in the 80's. It was this institution which gave artists like me,S.P.Ramh, violinist Embar Kannan,violinist S.Varadarajan, violinist Suresh Babu, opportunities to give concerts in the mid-80's.

I was present that day only as a parent to take photos of Vishruthi receiving the prize. Also,she performed for about 10 minutes before the prize distribution. Ramh's son(Vikram) also sang for about 10 minutes - a very talented young boy Vikram is ! (Vikram is seen in the picture, hidden behind Ramh and Embar Kannan :-))

Ramh, Suresh Babu and I were caught unawares and were asked to come on to the stage for the prize distribution function, since we belonged to the "Alumni" of Children Academy :-)

(Vishruthi has won prizes in a few more events. I shall post the details and photos of those after she receives the prizes.)

Saturday, August 7, 2010

My Experiences at Svanubhava-2010

Matrka and YACM have jointly been conducting Svanubhava, a festival of Arts exclusively for students of Classical Arts.
Today is the concluding day of the festival. Different venues were chosen for each day and I could attend two programs during this festival, one on the 3rd and the other on the 4th of August.

The venues chosen for the 6 days were Kalakshetra, The Adyar Government Music College, The Music Academy, Harishri Vidyalayam, PSBB KK Nagar. Today's events will be held at Vidya Mandir, Mylapore.

HUMOUR IN FILMS : 3RD AUGUST, 2.30 p.m

This session was jointly conducted by veteran actor Sri A.R.Srinivasan (ARS) and Mr.Crazy Mohan. Sri.Y.Gee.Mahendra who was also supposed to have been on the panel, apparently could not make it for the session. The session went on for about an hour and was followed by an interactive question-answer session with the audience for about 10 minutes.

Sri.ARS started the session by giving a brief introduction about humour in films, starting from the earliest "talkies" till the current generation movies, in chronological order. Tamizh cinema is into its 80th year, hence he took us all on a whirlwind tour of the topic.








(Photo Courtesy: K.V.Gopalakrishnan)









I personally feel that it was a very neat and methodical presentation, with several examples and personal experiences cited in between.

He began by saying that our earliest influence in comedy came from Hollywood. Charlie Chaplin-N.S.Krishnan, Eddie Cantor-T.R.Ramachandran, Jerry Lewis-Nagesh, Laurel and Hardy-Senthil and Koundamani and so on, to mention a few. He also added that he could easily think of as many as 35 comedians in Tamizh cinema, but would mention only a few due to time constraints.

He mentioned about the different kinds of comedy in Tamizh movies:

Vaduville comedy (earliest comedy was in silent movies - best examples of comedians who influenced us were Bustor Keaton and Herald LLoyd).
Situational comedy- Chitraalaya Gopu is supposed to have been the pioneer in this type of comedy and has given many hit films. He also commended Sri.Crazy Mohan for several hit films he has given in association with Padmashri Kamal Hassan, like Avvai Shanmughi.
Slapstick comedy - Laurel and Hardy type of comedy. Chandrababu and Nagesh specialized in this kind of comedy.
Dialogue comedy - Thangavelu and V.K.Ramaswamy were the best examples of dialogue comedy.
Unintentional comedy.

The first movie came in the year 1917. Keechaka vadham. This was a silent movie.
The first talkie was Kalidas which came in the year 1931. In this movie, the hero, heroine, other members of the cast- all spoke in different languages ! But the audience didn't mind, since it was the first dramatic change from a silent movie. This movie had no dubbing, hence the actors spoke in whichever language they knew !

Kaalava Rishi was the first movie in which the entire cast spoke in Tamizh and this movie came in the year 1932.

Next Sri.ARS spoke about punch dialogues in movies, and NSK was considered to be the pioneer in comedy punch lines. He was also one of the important people who always made it a point to give thought-provoking comedy (which is unfortunately not seen these days.)

Examples from comedy tracks of NSK,VKR and Nagesh were given and the audience enjoyed every bit of this.

I particularly enjoyed that portion when he spoke high of Nagesh, about the versatility in his acting and how observant he was in normal life and took real-life examples to build several characters of his. One best example was his role in the classic "Tiruvilayaadal". It seems Nagesh, once at Kapali Temple, Mylapore saw a person who was pacing up and down and talking to himself. He is said to have keenly observed this person and his "dharumi" character in Tiruvilayaadal is said to have been largely based on this !

Instances cited from comedy in the old professional stage plays were hilarious ! In the early plays, it seems the hero would sing a famous song and "die" at the end. The audience would shout "once more", the hero would get up, sing once more and die again !!!

There were many idiosyncrasies- for example, an actor dressed up as Lord Rama, was famous for his hit song "Gopiyar Konjum Ramana". Each time Lord Rama came on the stage he was expected to sing this song on Lord Krishna, though the Krishna Avatar comes only after Rama Avatar in our mythology !! The point to be noted here is that the audience didn't mind these idiosyncrasies. People were simple and they just wanted their favorite songs to be sung :-)

The movie Bama Vijayam was another example in which he said GNB as Narada and M.R.Krishnamurthy as Lord Krishna would sing Tyagaraja Kritis in the movie ! Classical Music was an integral part of Tamizh movies then. Also in this movie, the entire cast of mythological characters would sing Janagana Mana in the end ! (Jana Gana Mana was accepted as a national song then, though it became the national anthem much later).

Next he talked about prompting that was done on amateur stage.

Talking about the movie Pavalakodi by Director K.Subramanyam, he talked about the "crow-shooter", whose name even appeared in the end credits as a crow shooter :-). Apparently in this movie, when songs with live orchestra were filmed in daylight at the Sathya Studio, there used to be thousands of crows flying over the area, causing audio disturbance. A man was specially employed as a "crow-shooter" who used rubber bullets to scare away the crows !!

Sri.ARS took us on a very interesting tour of Humour in Tamizh cinema and he finished his talk with a quote of NSK:
"சுருங்கச் சொல்லி விளங்க வை, விளங்கச் சொல்லி முகத்தைச் சுருங்க வைக்காதே"

After this Mr.Crazy Mohan gave a very lively account of humour in real life. He emphasised on the importance of humour in life.







(Photo Courtesy: K.V.Gopalakrishnan)














I would have very much liked it if he had shared with us,the unique experience that he has had in writing comedy tracks for Padmashri Kamal Hassan's films. The combination of these two personalities has given some remarkable hits in Tamizh cinema.

MUSIC IN FILMS : 4TH AUGUST, 1.30 p.m


This session was conducted by Sri.Rajiv Menon and the "one and only" SPB.

Rajiv Menon proved to be the perfect combination for SPB. He asked a lot of questions and we were in for an aural treat throughout the session.










(Photo Courtesy: Bharat Sundar)







SPB emphasized on the importance that should be given to lyrics and "Bhavam" while singing.

He gave numerous examples. The song that readily comes to my mind is "உனக்கென மேலே நின்றாய் ஓ நந்தலாலா" from the movie Simla Special which he demonstrated beautifully and also added how Kamal Hassan has added a lot of life to the song with his facial expression in this song.

SPB said true music should bring tears to the eyes and touch the soul, be it whichever form of music.

The movie Shankarabharanam in Telugu gave a lot of importance to classical ragas and he added that songs that he has sung in this movie have fetched him a lot of awards.









(Photo Courtesy: Bharat Sundar)







He talked about how he got influenced by Mohammed Rafi's style of singing.

It was amazing to hear that during his peak period as a playback singer, he recorded as many as 19 songs in a single day !!

The raga Sivaranjani, he said, got hooked on to him after the evergreen hit "Tere Mere Beech Me".

All of the above talks about the legend that he is, as far as playback singing is concerned.

What really touched me even more, was the humility in this great man. This quality,according to me, is a rare trait in great personalities.

He gave the example of a bird. Said any artist is like a bird. If one wing of the bird is विद्या (knowledge), the other wing is विनयम् (humility). Only if both the wings are properly balanced can the bird fly smoothly and reach great heights.

The audience gave him a standing ovation in the end, which he richly deserves.

SPB - A great personality indeed, a human being whom I admire a lot.

....................Both days were very memorable afternoons for me and kudos to the entire team of Matrka and YACM for this wonderful show.

Thursday, July 8, 2010

Back into blogging...

It has been quite some time since I wrote here...I have not written about a couple of concerts that took place in the past two months..

Shifted my residence a few weeks back and have been very busy settling down slowly. My concert calendar is also updated now.

Hope to resume blogging in full swing from now on :-)

Monday, March 15, 2010

Vishvesh's Upanayanam - 5th March 2010

The 5th of March 2010 saw Vishvesh becoming a brahmachAri :-)

We conducted the Upanayanam function at Vidyabharathi Kalyana Mantapam, Mylapore, Chennai.














On 4th evening was the pUrvAngam function. Here are a couple of photos from the day's function:





















(Vishruthi and Vishvesh)













On 5th morning:

kumAra bhOjanam:















Vishvesh being carried by his Mama: :-)








[My brother and sister-in-law (with their three-and-a-half yr old daughter) are seen in the picture.]





Wearing the sacred thread:















Vishvesh learning a few mantras:




















brahmOpadesam:







[Standing: On the extreme right is my brother-in-law. To his right is my father-in-law wearing a white shirt and standing next to him is my mother-in-law wearing a dark brown 9-yards saree. Standing third from left is my mother wearing a light green saree.]














[Standing on the extreme left is my father,wearing a yellow kurta.]






The little brahmachAri obediently listening to the mantrAs:

Thursday, December 31, 2009

HAPPY NEW YEAR !!!!

To all Music Rasikas and Bloggers,

Here is wishing you all a very HAPPY AND PROSPEROUS NEW YEAR :-)

Let us all pray to the Almighty that the ensuing years be filled with peace and harmony.

Saturday, October 17, 2009

diwAli Greetings !!

Dear Friends,

Here is wishing you all a very Happy and safe Diwali !!

May all lives be filled with joy and prosperity !!

Gayathri.

Thursday, September 17, 2009

Getting ready for navarAthri...

Preparations at home for navarAthri kolu started today..The preliminary work of re-arranging the furniture at home, setting up the steps for the dolls, unpacking the dolls etc is indeed a time-consuming one. Tomorrow the festival starts. I have chosen a new theme for this year's kolu too. (last year's theme was arupadai veedu).

With concerts almost on every other day during navarAthri, it is indeed going to be very difficult managing everything, but then, the interest in trying out new themes and inviting people home during the festival makes me forget all the stress !

I shall post photos of the kolu and the theme in a few days..
Looking forward to the start of the festival.

Happy navarAthri to one and all !

Wednesday, August 5, 2009

AvaNi avittam - 5th August 2009


















Vishvesh posing for a photo after wearing his new "pooNal" today :-)

He seems to be saying, " I am 7 years old and ready to wear a real, permanent pooNal" !!

Friday, July 31, 2009

Varalakshmi Vratam - 31st July, 2009

Today we did Varalakshmi Puja at home and I thought I would write briefly about the significance of this vratam.



































Varalakshmi vrata is a popular ritual observed by married women in South India and Maharashtra. Goddess Lakshmi,the Goddess of wealth and prosperity,is worshipped on this day.

Varalakshmi literally means the boon granting Goddess. Worshipping Goddess Lakshmi on this day is equivalent to worshipping Ashtalakshmi – the eight Goddesses of Wealth(shrI), Earth(bhU), Learning(saraswati), Love(prIti), Fame(kIrti), Peace(shAnti), Pleasure(tushti) and Strength(pushti).

The glory of performing the varalakshmi vratam, narrated directly by Lord Shiva Himself, is elaborately discussed in the skAnda purANam.

The Hindu festival "Varalakshmi Vratam", or "Varalakshmi Nonbu" is celebrated on the Friday before the full moon in the Tamil Month 'Aadi' which corresponds to the English months of July-August. It is a festival to propitiate Goddess Lakshmi, the consort of Vishnu, one of the Hindu Trinity. Varalakshmi is one who grants boons (varam).

Among the many festivals in the year dedicated to Goddess Lakshmi,Varalakshmi Vratham is considered very auspicious because it is marked by strict observance of certain practices and austerities.

The pUja:

A sacred pot (kalasham) is filled with raw rice,coins,9 betel leaves, 9 betel nuts, 9 pieces of turmeric.This kalasham is topped with a bunch of fresh mango leaves. A coconut (unbroken)smeared with turmeric powder and kumkumam is placed on top and tied to the kalasham. Also, sandal paste and kumkumam are applied to the kalasham. To the front of the coconut,we tie the varalakshmi "mukham" (the face). The coconut and kalasham form the body and we further decorate it by tying special clothes (pAvAdai) and jewels to the deity.

Now the kalasham symbolically represents Goddess Lakshmi. We also place a mirror behind the kalasham.The kalasham is usually placed on a bed of rice.

Then, Goddess Lakshmi is invoked. Fresh flowers and grains are used in the worship, indicating growth and prosperity.

After performing the initial worship of Lord Ganesha (seeking removal of all obstacles), prayers are offered to the kalasham. The sacred yellow thread is first tied to the Goddess. The yellow thread (saradu) is prepared with nine knots and a flower is placed in the center.
Now the main worship of Lakshmi begins, with a second worship of the sacred Thread (nOnbu saradu). Finally, it is tied around the right hand of the performer and all other ladies in the family. Prayers in the form of Lakshmi Ashtottara shatanAmAvali and lalitA sahasranAmam are then chanted.

Legend associated with this vratam:

According to Hindu mythology, once Goddess Parvati asked Lord Shiva to recommend a vrata that will be beneficial to women. Lord Shiva then mentioned the importance of Varalakshmi vrata. The conversation on Varalakshmi vrata between Parvati and Shiva takes place in the skAnda purANa.

To illustrate the importance of the vrata, Lord Shiva narrates the story of Charumati. Pleased with Charumati’s devotion to her husband and family, Goddess Lakshmi appeared in her dream and asked her to perform the Varalakshmi vrata on the auspicious day of shrAvana shukLa shukRa vAram.The pious Charumati invited all her neighbors, friends and relatives and performed the Varalakshmi puja as directed by Goddess Lakshmi. Soon after the puja, all the people who participated in the puja where blessed with wealth and prosperity.

(There is a referencce to this legend in the first two lines of the caraNam of muttuswami dikshitar's composition "sri varalakshmi namastubhyam" in rAga srirAgam-rUpaka tAla.)

(PALLAVI)

श्री वरलक्ष्मि नमस्तुभ्यम् वसुप्रदे
श्री सारसपदे रसपदे सपदे पदे पदे (श्री)

(ANUPALLAVI)

भावज जनक प्राणवल्लभे सुवर्णाभे
भानुकोटि समानप्रभे भक्तसुलभे

(मध्यमकाल साहित्यम्)
सेवकजनपालिन्यै श्रितपंकजमालिन्यै
केवलगुणशालिन्यै केशवह्वत्खेलिन्यै (श्री)

(CARANAM)

श्रावण पौर्णमी पूर्वस्थ शुक्रवारे
चारुमती प्रभृतिभिः पूजिताकारे
देवादि गुरुगुह समर्पित मणिमयहारे
दीनजनसंरक्षण निपुणकनकधारे

(मध्यमकाल साहित्यम्)
भावनाभेदचतुरे भारतीसन्नुतवरे
कैवल्य वितरणपरे कांक्षितफलप्रदकरे (श्री)

Friday, July 24, 2009

Smt.D.K.Pattammal (1919-2009)

(I had written a post here on my blog on Smt.DKP a few days back, but it somehow got deleted. I didn't have a copy of it unfortunately, so I am just recollecting whatever I can from that earlier post.)







(Photo courtesy: Sruti Magazine-Issue 174)












July 16th 2009- I was in a TV recording, when I got the news that the legend had passed away that afternoon. Soon after the recording got over,I rushed to her residence at Kotturpuram and was fortunate to have got a glimpse of this great musician, as the hearse started departing towards the crematorium.

What a great musician she was. A stamp of tradition.

A simple, affectionate soul. I had visited her on a couple of occasions and each time I entered her house, that smile of hers would embrace and welcome us instantly.

Nithyasree and I are of almost the same age, so whenever I used to visit DKP Amma, she used to beam at me and say "Vaa maa, neeyum nithya maadhiri enakku oru pEthi dhAn"(Come inside, like Nithya, you are also like my grand daughter.)

Once, I had the fortune of receiving the talent promotion concert prize from DKP Amma at Krishna Gana Sabha. These are memories that I shall always cherish.
















I have been a big fan of all the three "contemporary women-greats"- MS, MLV and DKP. It is a great pity that none of them are with us any more.Each one of them had dedicated themselves totally to music and we,as musicians, are always indebted to them for their priceless contributions and the paths that they have shown us.

Thursday, July 23, 2009

Sunday, June 28, 2009

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